We’ve invested in a few head of Suffolk sheep.
The girls are very cute and quite friendly.
Not sure if they’ll be providing wool for a future knitting project … they’re mainly my husband’s summer endeavor. He’s been watching too many Hugh Fernley-Whittingstall TV shows lately.
The trip over the mountains provide ample time to catch up on the gansey. The back is nearly done.
This week I’ll be working on the last half of the front.
Thanks to a knitting angel I have replacement row counter that fits in my little knitting kit.
Thanks so much!
This is the second try. The first one had a couple of cables crossed the wrong way and I didn’t like how I spaced the increases.
One thing to note about this sleeve is that the saxon braid is not centered on the piece. There’s about 1cm more on the right side than the left. According to Jean the front part of the shoulder panel should sit about 1cm more towards the front. So with my Aran sleeve which has a 7cm panel, 4cm of it will be on the front and 3cm will be the back. Unfortunately my notes don’t say why we need to do this. I’ll ask when we have our next class.
Last weekend I had fun playing paper dolls in Sally Melville’s Knitting to Flatter and Fit class at Madrona Fiber Arts Winter Retreat.
The half day class was packed with lots of information but what stuck with me the most was her emphasis on maintaining or tricking the eye into see a hour glass shape.
Sally illustrated her points by having us dress our 1/8 scale silhouette with various garments.
Here are some of my “paper dolls”.
Shaped long sweater:
She said that longer shaped sweaters look better than shorter ones. This idea really runs contrary to what I’ve always believed. I have a tendency to make most of my sweaters (shaped or unshaped) somewhere above the fullest part of my hips in an effort not to accentuate my hips. But Sally says, “the best way to make something look smaller is to cut it in half.”
Unshaped short sweater: This is the length I normally make. But according to Sally a short unshaped sweater is not flattering with these type of pants. The hour glass shape is lost and the eye is drawn to the hips.
Unshaped short sweater with Palazzo pants: I’ve never worn these type of pants. Not sure if I’d look good in them. Sally says unshaped short sweaters look much better with these pants because the fullness of the pants helps the eye see an hour glass shape.
Unshaped short sweater over a long shaped shirt: Sally mentioned that a short top can be worn over a longer one to help maintain an hour glass shape.
So many interesting concepts. Sometimes I think this type of thing is more of an art than a science. Not all of us could see what she was seeing. One thing I did see was that I really should make my shaped sweaters longer and cut my hips in half.
I look forward to seeing her new book that’s coming out next March.
And here’s what I have on the needles … a boxy Aran sweater.
The last few weeks have been challenging. I’m trying to keep up with my knitting projects/homework but other issues keep popping up. Finally, I have a few moments to post a picture of my Aran swatch.
The full saxon braid on the left will be the center of the sweater. The smaller one on the far right will be on the center of the sleeve. The XO patterns between the saxon braids on the swatch will be on either side of the full saxon braid. The sides will be filled in with double moss stitch.
I was going to make set-in sleeves but changed my mind after realizing that doing so would probably mean that the last one of the OX columns would get cut off if I didn’t make some adjustments. Instead of changing the stitch pattern configuration, I’ll go ahead and redraft the pattern to include 2cm to the upper body and modifying the sleeve to be a modified drop-shoulder.
And here’s my other homework.
Six swatches neatly blocked with various notes about the blocking process.
Also, for the other class, I have the outline of my body ready to go.
These two classes should be very interesting.
The siding was finished a day before the snow started falling and the heat was reconnected.
Today I’m working on my homework, enjoying an unexpected extended weekend. Right now the bottom-up raglan is on the needles.
That’s me crossing the finish line (in grey top and black tights).
Our third class was last weekend. We learned how to finish the Raglan and started drafting a pattern for an Aran with saddle shoulders and set-in sleeves. The big search is on for suitable cable patterns. Annie Maloney’s Cable Knitting Handbook certainly has many excellent patterns.
I’m sitting here in a cold house with my warmest sweater and fingerless gloves on. No heat for a few days while the house gets a new skin. Kind of a crazy thing to do in early winter! The cats are freaked out by all the noise but I think they’ll survive.
I’m making up lost time with my homework.
The bottom-up raglan is ready for class.
The puffy sleeves are about to be sewn on the body. Here’s a close up of the hem. I took out the provisional cast on, knitted a few rows and then grafted the edge to the backside through the purl bumps.
The dolman is started (no photo) but not much progress. Getting going on that one is a bit daunting after reading all the questions posed by classmates on our Yahoo group. I don’t think I can concentrate on it without heat.
By the way, that book called “The Complete Book of Traditional Guernsey and Jersey Knitting” was written by Rae Compton. It’s a nice short read packed with tons of information about various ganseys from all over Britian and Scotland. It’s got me thinking about the one we’ll be knitting for class.